By Martha Mier
Scholars may be encouraged and influenced through the syncopated rhythms and the colourful, wealthy harmonies of jazz. precise articulation, dynamics, and pedal markings create a considerate and thorough functionality. Titles: Christmas Medley * the 1st Noel *Go inform it at the Mountain * Jingle Bells * Jolly outdated St. Nicholas * We 3 Kings of Orient Are * we would like You a Merry Christmas.
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Extra info for Christmas Jazz, Rags & Blues, Book 2
Bibliog the in listed ns, Functio Their Piano Parts and 16 Chapter Two: Inside Information 2-11. Rich ard Schoolmas te r glu ing rib s to a new so u nd bo a rd for a sma ll gra nd p iano in the now defunct Aeoli an-American piano factory. Th e long , wood en clamping bars, or go-bars, each exert up to 200 lb. of clamping force. ) thick. This wood has the ideal balance of stiffness and flexibility. Softer wood absorbs vibrations like a sponge while harder wood is too rigid to vibrate properly. ) side-by-side, making a blank of the desired width.
Basic parts of the vertical piano action: (A) key, (B) escapement, (C) hammer, (D) damper, (E) string. escapement mechanism for each key that allows the hammer to be released just before it hits the string. After the escapement releases the hammer, it continues to move under its own inertia, strikes the string, and rebounds. When the key is released, the action returns to its original position and resets itself for another cycle. For each key and hammer in the piano, except in the high treble, there is also a damper.
Single string bass notes have the highest tension - over 300 pounds per string in a large piano. Going upward through the bass section, the tension decreases, with the plain steel trichord unisons averaging about 160 pounds tension per string in the treble of an average piano. The tension increases a little in the high treble in some pianos. In some spinet pianos with poor bass tone quality due to their very short bass strings, the scale designers purposely degrade the tone quality of the tenor section by using unusually thick music wire.
Christmas Jazz, Rags & Blues, Book 2 by Martha Mier