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New PDF release: Capture The Rainbow (Sedikhan, Book 4)

By Iris Johansen

Beautiful Hollywood stunt double Kendra Michaels is vying for the task of her life-a high-paying, high-risk bounce that may transparent the debt on her brother's clinical accounts. Casey Michaels used to be a stuntman himself till a task went tragically fallacious. Now Kendra is ready to take an identical probability. There's only one guy status in her manner, a guy whose impossible to resist magnetism seduced her in methods she'd by no means experienced-and by no means ahead of surrendered to....

Director Joel Damon will get what he desires. And he desires Kendra. however the explosive allure he feels on the mere sight of her is completely new to him, and it hasn't disappeared, no longer when you consider that their one unforgettable evening together-and no longer on the grounds that Joel stumbled on she wasn't the skilled starlet he'd incorrect her for. Now he's made up our minds to increase that evening into many extra. yet he'll need to hold Kendra alive to do it, whether it ruins her profession. For he has larger plans in brain for her than she ever imagined.

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Additional info for Capture The Rainbow (Sedikhan, Book 4)

Example text

In the foreground we can just make out the waving hands and crackle of the camera flash. On the right is a policeman, moustached, upright, impervious, observing the scene. Beyond the subject matter and the composition of these photographs which exploit to the full the technique of monstration everything – is done to force us to see the corpse – the great strength of these pictures is that they show the result of actions that have already occurred. They invite us to reconstitute the story, but we do so beginning at the end, and this end is the corpse.

The message is clear: the children, the future of the Basque nation, are waiting for the Messiah – eitb – to descend from the Heavens to earth. Our reading of the image is perfectly self-contained, since our attention does not stray outside the triangular form (the divine triangle) that links the direction of the children’s gaze to eitb and back again. In this enclosed shape, we have the plastic signifier of an uncompromising message: there is no salvation, there is nothing at all, beyond us and eitb.

In certain circumstances, then, Turkey was more western, more ‘European,’ than East Germany. Switching to film, there is a masterpiece by the young Swedish director Lukas Moodysson, entitled Lilya 4-ever (2002), a bleak and devastatingly powerful study of Lilya, a povertystricken teenage girl abandoned in a crumbling town in an unspecified Baltic state. The girl is left behind when her mother leaves, apparently for the United States, with a man she has met through a dating agency. In her wretchedness Lilya finds a friend in a lonely 11-year old boy, Volodya, but then duplicates her mother’s betrayal when she meets a smooth-talking young guy who says he can take her away to Sweden: like ‘America’, another beckoning escape from her pauperized and hopeless life.

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Capture The Rainbow (Sedikhan, Book 4) by Iris Johansen


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