By Henry Horenstein
The e-book used to be simply as defined and arrived per week earlier than it used to be scheduled to!!! may recommend!
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Additional info for Black and White Photography, Third Revised Edition
When having trouble in autofocus mode, look for a clearly defined edge or an area of detail or contrasting tone in your subject and try focusing on that—or simply switch to manual focus. Most autofocus systems work quickly and invisibly. They have tiny computers that analyze the light reflected by the subject and move the lens in and out accordingly. Such systems are called passive autofocus. To improve autofocus performance in low-light or low-contrast conditions, some cameras have backup active autofocus, which projects a beam of red light onto the subject so the camera’s computer can read the beam as it reflects off the subject to determine focus.
It’s usually available in focal lengths of 300mm, 500mm, and 1000mm. A standard lens of such a long focal length is heavy and bulky, but a mirror lens is much lighter and therefore much easier to handhold than its bulkier standard-focal-length equivalents. It also is much less expensive. While mirror lenses give good results in most cases, they are generally optically inferior to standard long telephoto and telephoto zoom lenses. For the most part, you use a mirror lens like any other lens, except for one important difference.
8. 8, but larger than f/4). For more precise exposure control, you can deliberately set lenses in between whole f-stops. 8. 8 39 f-stop On most manual or older model cameras, the f-stop is indicated on an aperture ring located on the lens barrel (left); to set it, you turn the ring until the desired f-stop is indicated next to a marker; here, the marker is diamond-shaped. With more modern or automatic cameras, the f-stop is displayed on an LCD screen (center); you change it by turning a control wheel on the camera body.
Black and White Photography, Third Revised Edition by Henry Horenstein