By Don Marr
First-class and transparent clarification what mild can do to your photo's with examples find out how to.
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Additional resources for Beginner's Guide to Photographic Lighting: Techniques for Success in the Studio or on Location
Experiment by moving the flag closer to the subject to create harder-edged shadows or closer to the light to create softer-edged shadows. Then use a cookie instead of a flag in front of the light to cast a dappled light pattern on your subject. 3. A flag can also be used with a soft light like a softbox or umbrella. For a portrait or still life, place the flag as close as possible to the subject without it showing in the camera’s view. Even with a soft light source, the flag will cast gels, flags, and shadows 55 a reasonably defined shadow edge when it is placed this close to the subject.
It is particularly useful for lighting big areas and backgrounds. Since the open reflector is a hard light source, it works particularly well with flags and cookies to cast well-defined shadows. The open reflector can also be used to generate “fake” sunlight; since, like the sun, it is a hard light source that throws light in a big area. Think of a shot you may have taken in the past where you photographed someone sitting at a window with sunlight streaming in on his or her lower body. Your in-camera meter probably averaged the scene so that the sunlit area was overexposed, the background was underexposed, and their face was (hopefully) properly exposed.
Place a light behind your subject and facing the camera. Your subject will block the light from hitting the lens. Use a second light to illuminate the front of your subject. Start with the back light and front light metering at the same f-stop. This will create a distinct back light around the subject. Next, set the back light to two stops brighter than the front light. It will create a definite white light around the subject. 42 beginner’s guide to photographic lighting This shot was done outdoors on a sunny day.
Beginner's Guide to Photographic Lighting: Techniques for Success in the Studio or on Location by Don Marr