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Eric Turkel's Arranging Techniques For Synthesists PDF

By Eric Turkel

ISBN-10: 082561130X

ISBN-13: 9780825611308

This ebook offers you an realizing of acoustic tools and voices that may dramatically enhance your wisdom of sound construction and arranging.

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Example text

Moreover open and closed vowels must fit the vocal line, especially in classical music. Nothing is worse than to change vocal color from tone to tone, as spoken diction sometimes warrants. In general, it may be said that French singing diction conforms to the rules of the Italian bel canto — with the unavoidable exceptions, of course, that result from the peculiarities of the French language. Correct pronunciation of French sounds is indispensable in order to avoid misunderstanding such words as pecheur-pecheur, poison-poisson, pres-pret-pre, and many others.

In 1912, Pius X wrote to Louis Du Bois, Archbishop of Bourges, saying: "We learn . . with real pleasure that this reform has already spread to a number of places and been successfully introduced into many cathedral churches, seminaries and colleges and even into simple country churches. The question of the pronunciation of Latin is closely tied up with that of the restoration of the Gregorian Chant, the constant subject of Our thoughts, and recommendations from the very beginning of Our Pontificate.

Le mien devient un chef fameux (BIZET Carmen) Leurs bees sont aiguises (GOUNOD Romeo et Juliette) d'Arc) e is short before all other consonants that appear in the same syllable. This is also true for the vowel combinations ai, ai, ei, and ey, pronounced like open e's. In the word clef the f is mute and the e, therefore, changes into a closed e. The words aile, aime, and baisse are long. Je t'ff/me et meurs, 6 mes amours, Mon ame en bo/sers m'est ravie (FAURE "Lydia") Mon bonheur renait sous ton aile (BACHELET "Chere Nuit") Voici la clef, je croix (GOUNOD Faust) The e is also intermediate in Noel.

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Arranging Techniques For Synthesists by Eric Turkel


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