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By G. (Ghulam) Yazdani

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Additional info for Ajanta: The Colour & Monochrome Reproductions of the Ajanta Frescoes, based on photography. Explanatory Text

Example text

LII,rllli",. he praem J If ihc w, .. idontilitotion .. -ed .... u.. ,. ck, hu.... _ •••j. , ... rp:ated "'10 half. _j.. tIidl~Ii ... on,05l'nIr. Wloen the hanI hi.... "'" - . ~I ... ,UOOII.... onabM, and Ixin& unable! u hrf IIrtao1 wn" "'M. 1ctt.. 11 .. nt! At . "'" ,...... ~. , oi. Jl. /r,NATOR Y TE XT foot. 0W2rt'b the righ t aide, but the legs, IIlthough folded up. are not indincd in th~t direction, 10 then: is a contortion in the body netT the ~M-line. T o; -Europe~ n this po6C mlly look inelegant, but the Ajan t2 ;lIut~ rejoiced in 'howing t uch pos«; evidently they aImed at producing by them an impression of 8uppknt'i5.

The hnuh-1inet diowing the. panernl of their loin-doths may intelUl lhe uUsl. nd holding the staff the tracn of 11. pe:1c:odc dancing wilh joy may be lICen. The red plumes of the wings and lpolted fealher1 of the uil llre clear, but the body has been destroyed. rently $uggcst, the joy of the animal world u the ,ut«:Wuiteat of the rij;l. e (banana'> with long 1taVe$ and Iio~~ and the traces of II building,I probably 11 Ancnwary. 11 appears that the p,fitan: bringing offering. of 1I0w«$ to the nnctuary u a token of cJlllnksgiving It the re50lution and merciful behaviour of the rijL~ The dr:l1Iring of ,hiJ subject on the whole our ap~r crude, but here and there tome bits may be: found 5howing exedltnt modelling, fine brushwork, and el«luigte colour-taste.

0 , Ife h... (Itt hi. ,d. pphlm and. pd dWn rvunoJ hio II«k. lt) MII ))Qll and appIlin: armIcto (~HnN,). TIlt pM dn:p of

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Ajanta: The Colour & Monochrome Reproductions of the Ajanta Frescoes, based on photography. Explanatory Text by G. (Ghulam) Yazdani


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