By Morris, Rene Goscinny
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Additional resources for A Lucky Luke Adventure 2: Ghost Town
12 By the end of the 1950s the American political economy had been transformed. The federal government, now centered on the presidency as never before, was seen as responsible for both national security and economic prosperity. This entailed permanent foreign involvement that had been eschewed for 150 years since George Washington warned against entangling alliances and an expansion of the scope and power of government interventions within the United States. American workers found themselves in a postindustrial economy that provided them with a standard of living they had never imagined, but which saw them working as members of large organizations in which they were merely one player among thousands.
Villains tend to recur in these stories, and which villains are prevalent and what they desire is a key element to the cultural representation in comic books. Reynolds has suggested that, for Batman, at least, it is the villain rather than the hero who is most important. The hero is, for Reynolds, a fixed identity, unmoving and unmovable. 39 While this may go too far in reducing the cultural meaning of the hero, it is nonetheless true that which villains populate a given period and how they are portrayed are vital components to the cultural meaning of the books.
Economy. This, too, would become linked to national security as the government subsidized industry through defense procurement and rebuilding efforts in Europe. 7 Centering power in the executive branch implied that proper administration (rather than politics) could resolve social and economic problems. Faith in government experts mirrored the growing influence of knowledge in many other aspects of American society, and experts from both business and academia came to have greater influence than ever before.
A Lucky Luke Adventure 2: Ghost Town by Morris, Rene Goscinny