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G.B. Trudeau's 40. A Doonesbury Retrospective 1990 to 1999 PDF

By G.B. Trudeau

Created by way of the workforce that introduced you The entire a long way Side and The entire Calvin and Hobbes, the large anthology 40 marks Doonesbury's40th anniversary by means of interpreting intensive the characters that experience given the strip such energy. This 3rd quantity of the four-volume book variation of 40 covers the years 1990 to 1999 for the prestigious comic strip strip.

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Additional info for 40. A Doonesbury Retrospective 1990 to 1999

Example text

Of course, not all the newer characters are young—Elias, the Vet Center counselor; Cora, the sexual trauma specialist; Sherm, the studio owner; and Dr. Shipley, the community college prof, are all grizzled veterans, but with those characters, the fun is in the reverse engineering. The reveal lies not in what they become, but in how they became what they are. The backstory is rarely worked out in advance, so I get to go on the same journey as the readers, preceding them by mere days, narrating over my shoulder: “Aha!

For his steady guidance I will always be appreciative. 30 years ago, David Stanford came on as a personal assistant, and shortly thereafter started editing the Doonesbury books, which he does to this day. com and the guiding force behind our milblog, The Sandbox, David has been sounding board, confidant, and brother. I cannot thank him enough. 25 years ago, George Corsillo was brought in to work on a Doonesbury desk diary. He has been my design guru and colormaster ever since. As I was originally a graphics guy myself, George’s work gives me an inordinate amount of pleasure.

Many public figures are parodied, but Thompson, who viewed writing as serious business, apparently found it unnerving to have such an unserious version of himself on the loose. He’d worked hard to become the star of his own work, and consequently viewed the HST brand as proprietary. Of course, in turning himself into a celebrity, Thompson, like all public figures, had made himself available to caricature. But to him, the creation of Duke was nothing less than intellectual property theft. In this view, I had appropriated his greatest asset—his wild-man image—and simultaneously devalued it through ridicule (even though Duke had inarguably contributed to his fame).

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40. A Doonesbury Retrospective 1990 to 1999 by G.B. Trudeau


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